CURRENT ISSUE:
Is Utah the Most Sexist State? No
author: David R. Iglesias, Walter Block,
This paper critically examines the claim that Utah is “the most sexist state” in the United States, as suggested by a WalletHub report ranking it lowest in “Women’s Equality.” Utilizing an economic analysis from the Austrian School perspective, this study scrutinizes the data, metrics, and conclusions of reports by the Utah Women & Leadership Project (UWLP). The analysis focuses on distinguishing statistical disparities from sexism, proposing that observed gender inequalities in Utah are largely influenced by cultural and economic factors, particularly the state’s high marriage rate and traditional gender roles. Contrary to the notion that sexism predominantly drives gender disparities, the paper argues that personal choices and subjective value theory play significant roles in shaping these outcomes. The study highlights the importance of considering cultural context, individual preferences, and the marital asymmetry hypothesis when interpreting gender-related data, challenging the assertion that Utah’s gender disparities are primarily due to sexist attitudes. The findings suggest that Utah’s gender gaps in areas such as income and workforce participation are more accurately attributed to the state’s unique cultural and economic landscape rather than pervasive sexism.
Feminist Film Theory: The Impact of Female Representation in Modern Movies
author: Katarzyna Wilk,
In contemporary American cinema, the representation of women remains disproportionately limited despite significant social movements advocating for diversity and equality. This study examines the depiction of women in top-grossing films of 2018, contrasting those directed by men with those directed by women, to understand the influence of gender dynamics on cinematic portrayal. Analyzing the top five highest-grossing live-action movies directed by each gender, this research utilizes critical mass and critical actor theories to evaluate the impact of female filmmakers on the representation of women both on and off-screen. Findings reveal that films directed by women feature higher percentages of female characters and crew members in key roles, yet face substantial budgetary and box office disparities compared to their male-directed counterparts. Despite some progress, the film industry continues to exhibit systemic biases, necessitating further structural changes to achieve genuine gender equality in cinematic storytelling. This study underscores the need for increased opportunities and resources for female filmmakers to foster a more inclusive and diverse cinematic landscape.
Consistency and Some Other Requirements of a Formal Theory in the Context of Multiverse Models
author: Ivan Karpenko,
The paper is devoted to the problem of describing reality in the language of mathematics and logic in connection with intellectual intuition. The question raised is how the basic requirements of mathematical theory and logic will change if some of the multiverse models of modern physics are taken as the basis. Mathematics is considered in the context of various historical approaches. It is shown that some of the well-known requirements of a formal theory (such as consistency) may begin to play a different role if the multiverse hypothesis is accepted. In the framework of theories based on the idea of multiple worlds, the logical consequence, the natural law of Duns Scotus, the law of excluded middle, and other well-known facts of classical logic which in some cases cause controversy due to their intuitive unacceptability are resolved. The paper discusses an approach based on paraconsistent logics: such logics can be considered the first to correspond to multiverse theories.